Professional Bio – Jakob Evers
Jakob Evers is a Danish post-production specialist working across documentary, fiction, commercial and independent film productions. With a background spanning online editing, post-production supervision, color grading, mastering, delivery and on-set sound recording, he combines technical precision with a strong understanding of creative workflows.
Over the past years, Jakob has contributed to a wide range of productions in roles including Online Editor, Post Production Supervisor, Technical Supervisor, Colorist and DIT. His work focuses on guiding projects safely through the final stages of production — from conform and color pipelines to delivery for cinema, broadcast and streaming platforms.
His credits include projects such as Før Stormen, As the Tide Comes In, Daughter of Genghis, Mashallah!, Hacking Hateand Shrouded Destiny: A Star Wars Long Tale.
Jakob is known for building reliable and flexible workflows tailored to each production, often bridging the gap between editorial, sound, color and technical delivery. Working closely with directors, producers, editors and cinematographers, he specializes in finishing workflows that balance creative intent with technical standards.
Based near Copenhagen, he works independently through Studio By The Tree / Postproduction By The Tree, providing boutique post-production services for both Danish and international productions.
🌳 By the Tree — A Studio Story
On the edge of a quiet forest where towering branches danced in the morning light, there stood a modest creative sanctuary known simply as By the Tree — a studio where ideas were planted like seeds and stories grew like leaves on an old oak. It was a place whispered about among filmmakers, musicians, and dreamers: a space where technical mastery and artistic intuition met under one sprawling canopy.
The studio was founded by a nomadic cinematographer who believed that creativity, like nature, needed room to breathe. At By the Tree, walls were lined with vintage soundboards, lush green tapestries, and windows that framed changing seasons like cinematic frames. Amidst this setting, two artists arrived one autumn morning that would change the studio’s legacy.
🎬 The Editor and the Visionary
First came Jakob Evers, a post-production whisperer whose hands seemed to edit light itself. Jakob had cut sound and image on short films that felt like echoes of memory — tender, visceral, alive — from Shrouded Destiny: A Star Wars Long Tale to Se mig som jeg er and beyond. His edits were intuitive, each cut a breath that revealed to audiences the very heart of the story.
He found in By the Tree a rhythm that matched his own: a place where quiet was not emptiness, but an invitation to listen deeply — to every hum of nature, every whisper of dialogue, every cadence of score.
Then walked through the door Ricardo León, a creative spirit known to collaborate across disciplines, from art departments to experimental visuals. (His credits span varied roles — from art department work to performance — each reflecting a curious relationship to form and texture.) Ricardo was drawn by rumor: that By the Tree was where the forest itself was part of every frame.